How Neoclassicism Rejected Rococo by Reviving Classical Ideas in the 18th Century (2024)

How Neoclassicism Rejected Rococo by Reviving Classical Ideas in the 18th Century (1)

Throughout history, art movements have been created in response to their predecessors. So, in the 18th century, while the extravagance of Rococo and Baroque art were still thriving in Europe, another style was born with very different values. Established in the mid-1700s, the Neoclassical movement is defined by an interest in classical (i.e. Roman and Ancient Greece) aesthetics, principles, and subject matter.

The Neoclassical style had a major influence on painting, sculpture, architecture, and interior design. It revived an interest in symmetry and simplicity that was applied across visual arts. Two of the most famous artists who came to embody the ideals of this style were French painter Jacques-Louis David and Italian sculptor Antonio Canova.

Scroll down to learn more about Neoclassical art and its characteristics.

Table of Contents hide

1 What is Neoclassical Art?

3 Famous Neoclassical Artists

3.1 Jacques-Louis David

3.2 Jean-Auguste-Dominique Ingres

3.3 Antonio Canova

What is Neoclassical Art?

How Neoclassicism Rejected Rococo by Reviving Classical Ideas in the 18th Century (2)

Jacques-Louis David, “The Intervention of the Sabine Women,” 1799 (Photo: Wikimedia Commons, Public domain)

Neoclassicism is an 18th-century art movement based on the ideals of art from Rome and Ancient Greece. Its interest in simplicity and harmony was partially inspired by a negative reaction to the overly frivolous aesthetic of the decorative Rococo style. The discovery of Roman archaeological cities Pompeii and Herculaneum (in 1738 and 1748, respectively) helped galvanize the spirit of this movement.

Characteristics of Neoclassical Art

How Neoclassicism Rejected Rococo by Reviving Classical Ideas in the 18th Century (3)

Angelica Kauffmann, “Ariadne Abandoned by Theseus,” 1774 (Photo: Wikimedia Commons, Public domain)

Neoclassical art shared several characteristics, all of which are built on Roman and Greek views on science, math, philosophy, and art. These characteristics are minimal use of color; emphasis on symmetry, straight lines, and geometric shapes; precise definition of forms and figures; and Classical subject matter.

Painting

How Neoclassicism Rejected Rococo by Reviving Classical Ideas in the 18th Century (4)

Jacques-Louis David, “The Oath of the Horatii,” 1784–1785 (Photo: Wikimedia Commons, Public domain)

The art of French painter Jacques Louis David—the leader of the Neoclassical style—represents the characteristics of Neoclassical painting. His work, The Oath of the Horatii embodies these traits.

For instance, it features classical subject matter that is based on a Roman legend about the three Horatii brothers. David also uses a limited, and even austere color palette, to convey the narrative, dominated by bright reds and some blue. Additionally, it is created with a harmonious composition that resembles the balance and clarity of a scene on stage. Lastly, it exhibits precise draftsmanship with bold, strong lines and minimal ornamentation.

Sculpture

How Neoclassicism Rejected Rococo by Reviving Classical Ideas in the 18th Century (5)

Antonio Canova, “Psyche Revived by Cupid’s Kiss,” 1887 (Photo: Kimberly Vardeman via Wikimedia Commons, CC BY-SA 2.0)

Neoclassical sculpture shared many similar values to painting. Artists of this style created sculptures inspired by classical and mythological subject matter. They produced idealized figures with smooth contouring, resembling the statues from Athens and Rome, oftentimes on a life-size scale.

Architecture

How Neoclassicism Rejected Rococo by Reviving Classical Ideas in the 18th Century (6)

Panthéon in Paris, France (Photo: mix7777/DepositPhotos)

Neoclassical architecture wanted to create impressive, large-scale buildings without the ornate elements of the Rococo and Baroque style. It utilized Ancient Greek and Roman details, impressive columns, geometric forms, and domed or flat roofs. The Panthéon in Paris—which was constructed between 1758 and 1790—is a hallmark of Neoclassical architecture and embodies all of these characteristics.

Famous Neoclassical Artists

Jacques-Louis David

How Neoclassicism Rejected Rococo by Reviving Classical Ideas in the 18th Century (7)

Jacques-Louis David, “Death of Marat,” 1793 (Photo: Wikimedia Commons, Public domain)

Most consider Jacques-Louis David (1748–1825) to be the leading Neoclassical painter of the era. Originally from Paris, he received a robust and well-rounded education in fine art that honed his talents and helped him become a sensation at the Salon. He produced art that was unlike the Rococo status quo—with few colors, minimalist but balanced compositions, and depictions of classical subject matter. During the French Revolution, he affiliated himself with Maximilien Robespierre and created art that supported his side. Later, when Napoleon rose to power, David realigned himself again and made art in support of the new regime. His art had a far-reaching impact on Neoclassical artists across Europe.

Significant works: The Oath of the Horatii (1784–1785), The Death of Socrates (1787), Death of Marat (1793), Napoleon Crossing the Alps (1801–1805)

Jean-Auguste-Dominique Ingres

How Neoclassicism Rejected Rococo by Reviving Classical Ideas in the 18th Century (8)

Jean Auguste Dominique Ingres, “The Valpinçon Bather ,” 1808 (Photo: Wikimedia Commons, CC BY-SA 3.0)

Born a couple of decades after David, French artist Jean-Auguste-Dominique Ingres (1780–1867) inherited the Neoclassical tradition and created art that was largely academic in style. His skills as one of the best draftsmen helped him create compelling portraiture, most of which are his best-known works. Later, when Romanticism arose as another leading art movement, Ingres and Eugène Delacroix were pitted against each other as symbols of the old and new styles.

Significant works: The Grande Odalisque (1814)

Antonio Canova

How Neoclassicism Rejected Rococo by Reviving Classical Ideas in the 18th Century (9)

Antonio Canova, “The Three Graces,” 1815–1817 (Photo: Wikimedia Commons, CC BY-SA 3.0)

Originally from the Venice Republic, Antonio Canova (1757–1822) is considered to be the greatest Neoclassical sculptor whose work defined the style. He created numerous large-scale marble sculptures inspired by classical mythology, with idealized figures in graceful compositions. In particular, his sculptures are known for their polished finish, which Canova would spend weeks or even months polishing with pumice stone.

Significant Works: Psyche Revived by Cupid's Kiss (1787)

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How Neoclassicism Rejected Rococo by Reviving Classical Ideas in the 18th Century (2024)

FAQs

How the Neoclassical movement rejected the Rococo style? ›

If Rococo style represented a decadent culture, then Neoclassical subject matter was art with a moral character. Unlike the Rococo art movement, the purpose of art was no longer decorative but to inspire values while yearning towards the greatness of Greco-Roman cultures. Art had a political role to play.

Why was Rococo rejected? ›

Criticized for its triviality and excess in ornament, Rococo style had already become more austere by the 1760s, as Neoclassicism began to take over as the dominant style in France and the rest of Europe.

How is Neoclassicism different from the Rococo style? ›

Whereas Rococo sculpture consisted of small-scale asymmetrical objects focusing on themes of love and gaiety, neoclassical sculpture assumed life-size to monumental scale and focused on themes of heroism, patriotism, and virtue.

What did the Neoclassical movement in the 18th century begin as a reaction against? ›

Neoclassicism arose partly as a reaction against the sensuous and frivolously decorative Rococo style that had dominated European art from the 1720s on. But an even more profound stimulus was the new and more scientific interest in Classical antiquity that arose in the 18th century.

How did Neoclassical artists rebel against Rococo art? ›

How did Neoclassicists rebel against the preceding Rococo? Neoclassical painters rebelled against Rococo art because it epitomized what was wrong with a formerly great nation. Neoclassical artists rejected the Rococo superficial beauty and aristocratic frivolity.

What was the rejection of Neoclassicism? ›

It was also the beginning of Romanticism, which rejected Neoclassicism for arts that were personal, emotional, and dramatic. Whereas Neoclassicism focused on universal truths, historical examples, and logic, Romanticism focused on the personal subconscious, contemporary events, and the sublime.

What style did Rococo art reject? ›

At the outset the Rococo style represented a reaction against the ponderous design of Louis XIV's Palace of Versailles and the official Baroque art of his reign. Several interior designers, painters, and engravers, among them Pierre Le Pautre, J.

Why did the public reject Rococo style painting? ›

It began to be criticized from the mid-18th century, with the rise of the Enlightenment, neoclassical and bourgeois ideals, surviving until the French Revolution, when it fell into complete disrepute, accused of being superficial, frivolous, immoral and purely decorative.

What ended the Rococo style? ›

The beginning of the end for Rococo came in the early 1760s as figures like Voltaire and Jacques-François Blondel began to voice their criticism of the superficiality and degeneracy of the art.

How does Neoclassicism differ from classical theory? ›

Classical economists assume that the most important factor in a product's price is its cost of production. Neoclassical economists argue that the consumer's perception of a product's value is the driving factor in its price.

When was the time period of Rococo and Neoclassicism? ›

Rococo and Neoclassicism 18th century | Europe 1300 - 1800 | Khan Academy.

What is the difference between Classic and Neoclassicism? ›

“Classicism” refers to the art produced in antiquity or to later art inspired by that of antiquity; “Neoclassicism” refers to art inspired by that of antiquity and thus is contained within the broader meaning of “Classicism.” Classicism is traditionally characterized by harmony, clarity, restraint, universality, and ...

What was Neoclassicism in the 18th century? ›

The Neoclassical style arose from such first-hand observation and reproduction of antique works and came to dominate European architecture, painting, sculpture, and decorative arts. It was not until the eighteenth century that a concerted effort to systematically retrieve the glories of lost civilizations began.

What was the main disagreement between the classical and Neoclassical theories? ›

The key difference between Classical and neo classical theory is that the classical theory only considers physical and economic needs to satisfy an employee, whereas the neo classical theory, not only considers physical, economic needs, but also considers needs like job satisfaction and carrier development.

What was Neoclassicism a reaction against? ›

Neoclassicism was a reaction to both the emotional excesses of late Romanticism and the radical dissonance of modernism. Before you review this 20th century musical movement, however, I want to explain an apparent contradiction with regard to our playlist and neoclassicism.

Which artistic movement was a negative reaction to the rococo style? ›

Neoclassicism emerged in the mid-18th century as a reaction against the ornate Rococo style and the moral ambiguity of the Baroque, drawing inspiration from the art and culture of ancient Greece and Rome.

Why did Jacques Louis prefer Neoclassicism over Rococo art? ›

Jacques-Louis David preferred Neoclassicism over the style of Rococo because he thought it was more socially relevant and its art served a larger social purpose than art from the Rococo or Late Baroque Period.

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